I know, I know, I just posted about Route 66 a few weeks ago. And I told the world that I was watching all of the episodes in their proper order from the very beginning.
But over on the Route 66 group that I joined on Facebook, several fans kept mentioning one episode in particular...one called "The Thin White Line." This is the episode where Martin Milner's character, Tod Stiles, accidentally ingests a psychedelic drug that sets him off on a wild, mind bending ride in the streets of Philadelphia. I caved. I mean, just look at the accompanying terrifying screenshot that's being used on the IMDB for this particular episode. The rest of season one could wait...
My poor guy! Anyways, more than a few weeks after I initially watched this episode, it still haunts me, so I simply had to blog about it. I can totally understand why it's considered a fan favorite. I mentioned in my first post about Route 66 that it was a groundbreaking show ahead of its time. Well, "The Thin White Line" may have been the first time that drug use -- at least, of psychedelic drugs -- was portrayed on television. The drug is actually referred to in the program as an experimental "chemotherapy compound", not LSD. However, LSD's roots go back to the 1940s and a lot of experimental research was taking place with it during the 1950s. In an interview that co-star George Maharis gave in 2007, he mentioned that the show's main scriptwriter, Stirling Silliphant, had probably heard enough about the drug to work it into a storyline. Keep in mind, "The Thin White Line" aired on television in 1961 -- a good five years before LSD became a more recognized substance.
The hour starts off innocently enough. Tod and Buz are dancing with a couple of cute girls at a hotel suite party (at a Philadelphia Marriott) and are having a swell time. But one of the party's guests is an uninvited crasher -- a goony lunkhead that stole the host's girlfriend for a dance and then ordered the "boy" to bring him a beer. The seething party host is in the kitchen with a college friend who has brought along something to teach the crasher a lesson -- a sample of a drug that will make him go ape and start babbling nonsense for a few hours. At first the host is hesitant to actually follow through with the spiked beer, but his ego wins over. His weaselly little friend then pours an EXTRA amount of the drug into the glass, for good measure.
Out in the hotel suite, the host repeatedly offers the beer to the party crasher, who growls his decline and tells him to come back later. Before he has a chance to bring it back to the kitchen, Tod snatches the glass and gulps it down in a few swallows. It isn't long before he's become incredibly drowsy and unsteady on his feet, struggling to stay awake to dance with his date. When the two guys that spiked the beer call Tod's date to the kitchen to speak with her, Tod decides to take a nap on the couch, unnoticed by Buz and the other party guests.
Noooo! Don't do it, Tod!
In the kitchen, the drug guys are asking Tod's date if he's "stable." She responds that Tod and Buz have been working a construction job and that he's a nice guy, "a dreamboat." (Well, I'm certainly not about to argue with her about that.) She presses the pair as to what is going on, but they refuse to tell her, and let her go.
Meanwhile, Tod has abruptly awoken and it takes him a moment to realize where he is. When he sees the lunkhead party crasher (who insulted him when he tripped and fell into him) he attacks and punches him, disrupting the guests. He even gets physical with Buz before running out of the party and across the hotel's ice skating rink and through a garden area with water. Before long, he's gone from the hotel's property and has disappeared into the night with no way for Buz to catch up to him.
The police are called to the hotel, as well as the college researcher who's been studying the drug that Tod ingested. Buz and Tod's date learn that the drug's users experience several stages over the course of hours. The first is sleepiness, followed by paranoia, then euphoria. But in a chilling moment, the scientist warns the police that "what comes up must come down." He then informs everyone that even the happiest, most well adjusted people that have tried the drug often experience deep despair followed by a strong desire to kill themselves.
This is your brain on drugs...not exactly "Lucy In the Sky With Diamonds", folks!
I really don't want to give too much away, but let me say this: for all of his work, it's probably Martin Milner's finest hour on television, and for the life of me I cannot fathom why he wasn't at least nominated for an Emmy (yes, the Emmys did exist in the early '60s.) The best sequence is when Tod, during the drug's joie de vive phase, finds a barroom attended by the suspicious Al Lewis, aka Grandpa Munster. During this segment Tod is an unpredictable loose canyon, rattling off toasts in about a dozen foreign languages and consuming enough alcohol to knock out a bull elephant. He also gets picked up by the bar's chain smoking, piano playing cougar (you go, girl.) (This has dire results once the happy-go-lucky period of the drug starts to wear off.)
"Deeeeeeee-licious!"
I will admit that when I first learned about this episode, and the plot, I laughed. And it does sound funny at first -- the idea of someone under the influence of a psychedelic drug. The producers could have easily made "A Thin White Line" pro-drug, and portrayed it as a trippy romp through sugar town. But Milner takes us on a spectrum of human emotions and my heart was breaking for him by the end, during the program's climatic scene on the Ben Franklin Bridge (don't worry; it has a happy ending.) What makes it so unsettling to watch is that it's happening to one of the nicest TV characters ever conceived; a squeaky clean, innocent, boy-next-door type who is usually portrayed helping people.
There's also some creative camera work I appreciated during one segment to give the illusion of the drug's effects. Well, I said in my first post about the series that it was ahead of its time, and it was. I don't think you need to actually be a fan of the show to appreciate "The Thin White Line." Here's Part 1 if your curiosity has been piqued -- and you can watch all parts on YouTube.
Avocado. Harvest Gold. Almond. If you were living in an American household at any time from the '60s through the '80s, you're probably familiar with these colors as they applied to kitchen appliances. And if you lived in an American house during the 1950s, perhaps you were even lucky enough to experience a pink kitchen -- just like the one discovered in this Chicago house that was making the Internet rounds last year.
Where did all of that color go? Today -- unless you order from a specialty company that makes vintage style kitchen appliances -- it's virtually impossible to purchase a brand new, groovy fridge or dishwasher in avocado green. Nearly every manufacturer only offers them in a modern but cold-feeling stainless steel, or white. Not long ago I even read that the next trend will be BLACK in the kitchen. Perish the thought! I like my kitchens sunny a la The Brady Bunch, not The Addams Family.
So where did all of the color in kitchen appliances go? According to an Elle Decor article published last year, once American homes started getting bigger, entertaining guests got moved from a separate dining area to spaces that are part of the overall kitchen area, and brightly colored kitchens started to fall by the wayside. I tend to think, however, that it was a decision simply made by appliance companies to move away from offering color coordinated units that would have leftover inventory to simply selling one-shade-fits-all.
I have nothing against the stainless steel finish, but I still have memories of the green fridge and dishwasher from my parents' own home. Today, my mother's kitchen has all white appliances, including the microwave.
So for nostalgia's sake, here's a smattering of ads and photos from kitchens of the past, mostly spotted on Pinterest. Maybe someday they'll make a comeback.
Because who doesn't want their stove matching their dress?
Imagine...people really did this. Covering their fridge's front doors with printed fabric!
And of course, you need smaller kitchen appliances that match the color of the larger ones.
Just in case you're wondering, that new fan happens to be me.
I've been getting my kicks watching Route 66 for the past week or so. At first I watched a couple of random episodes on YouTube, and liked it so much I decided to watch them in order on Hulu, starting with the first season. And now, just four episodes in, I'm addicted. It's become my nightly ritual after washing up. I put my sleep attire on, fire up the laptop, and settle into the glorious early '60s, black and white world of Tod Stiles (Martin Milner) and Buz Murdoch (George Maharis) to savor whatever adventures -- and mishaps -- these two gorgeous guys get into next, when they're not gliding down another American road in that fabulous Corvette convertible.
But Route 66 wasn't just about two hotties picking up odd jobs and girls across the country. There was real substance behind this show. Although I've barely watched a few episodes as of this blog posting, I can honestly say it has to be one of the most underrated series of the sixties decade. Perhaps, even, a somewhat forgotten one. I only found one active fan group on Facebook (that I promptly joined) and a few sites and blogs that focus on the show, but no real "official" page dedicated to it. I only decided to explore the show because of my new love for co-star Martin Milner, and after getting a little bored with Adam-12 I veered into Route 66 territory. No offense to the Adam-12 fans, but I can honestly say I like Milner's first TV series better.
The word "groundbreaking" when describing television and films is starting to sound like a cliched and overused term. But there's no doubt that aptly applies to Route 66. For starters, the series was filmed on location -- with many of the settings nowhere near the famed American highway it was named after. If the script set Tod and Buz in Butte, Montana, the cast and production crew went directly to Butte, Montana. Many of the story lines would be right at home in the year 2016. One of the random episodes I watched on YouTube -- "To Walk With the Serpent" -- is about a wealthy guy with aspirations of power who wants to keep immigrants out of America. Sound like anyone in the news lately? Then there's the Nazi war criminal that Tod and Buz help expose, a feisty feminist running a shrimp boat who doesn't want to get married, and an epidemic of "parrot fever" which is not unlike the bird flu scare from a few years ago. It's almost as if the writers were time travelers that derived their plot ideas from the social norms and headlines of the 21st century.
This was also a show that came on the air at a time when Westerns ruled -- it's been reported that in 1960, one-third of all television programming was devoted to the cowboy genre. Route 66 gave American TV viewers something fresh, new, and adventurous to watch.
It should come as no surprise that the inspiration for Route 66 was Jack Kerouac's novel, On the Road. (I've read that Kerouac planned to sue producers as he felt his story had been plagiarized.) The American interstate highway system was getting some final touches, Motor City was cranking out automobiles ("See the U.S.A....in your Chevrolet" was a popular jingle in the early '50s) and a lot of Americans were getting wanderlust. But many more were still timid about venturing outside of their towns and Route 66 provided viewers with a glimpse into various parts of their country along with the good, bad, and ugly of humanity.
I know I'm still a new fan, but here's just some more observations about the show, in no particular order, which illustrate why I'm hooked -- and why it's probably going to go down as one of my favorite series, ever.
Tod and Buz Are Total Hotties
Yeah, as a horny female who digs retro guys, I'll just state the obvious and get it out of the way first. Martin Milner and George Maharis were super hot foxes. Milner's my guy, but I can still appreciate Maharis, who almost looks like Jack Kerouac and also resembles Eric McCormack from Will & Grace fame. It's refreshing to watch a series and be reminded of how clean cut guys in general used to be: short hair, clean shaven, and devoid of tattoos, piercings, man buns, and all of that dreck. And these two red blooded American, boy-next-door types were natty dressers, too...collared shirts, nice sweaters, jackets, etc. and not a single baseball cap to be found. Tod even wears a bathrobe...needless to say, I'm drooling.
How did Tod and Buz know each other, anyway? Buz worked for Tod's dad and the two become friends. After Tod's wealthy father passed away he discovered that he was nearly bankrupt, except for the flashy Corvette which he left to his only son. Tod went to Yale, but has no post-college plans, and he and Buz decide to enjoy the freedom of the open road and see where it takes them.
Milner passed away last year at the age of 83. Maharis is alive and well, but fans may know he was not with the show until its end. Sadly, he contracted hepatitis during season three from a vitamin B12 shot (which were commonly administered in those days by family doctors) and had to leave the series. His departure sparked unfair rumors that he wanted more money, that he wasn't getting along with his costar Milner, and that he wanted to abandon TV to pursue a movie career -- all of which was untrue.
“The doctor said, ‘If you don’t get out now, you’re either going to be dead, or you’re going to have permanent liver damage,'” Maharis said in a 2007 interview. “I wasn’t interested in leaving the show. I enjoyed it; I was having a good time. It probably could have gone two or three more years, and I think they even had plans of taking the show to Europe. That’s what they talked about, anyway, and I would have looked forward to that. I was trying to recuperate, and there was all the crap going on about how I wanted more money. It was all garbage. Some people even tried to make it like I never had hepatitis at all. But it’s all in the doctor’s reports. I was just ill. It took me 2 1/2, three years to recuperate before I started working again. What should have happened, I guess, was that I should have worked only a couple of hours a day.”
Maharis left the series near the end of season three, and his character was replaced by Lincoln "Linc" Case, played by Glenn Corbett, but the bromance between him and Milner wasn't the same as when Maharis portrayed his traveling companion. The show suffered, and ended after season four.
Needless to say, although I plan on watching all four seasons, I'm not looking forward to this part of the show. To me, Route 66 will always be about Tod and Buz.
Fisticuffs Fly In Nearly Every Episode
It's starting to get comical, but fistfights seems to be a given in nearly every episode -- it was the early '60s, after all, and that was how men settled their differences. Buz is an ex-gang member and hails from Hell's Kitchen, so throwing punches in nothing new to him. Of course he and Tod manage to always win and get away without scars and other real physical damage. Oh, and there's smoking, too. Not that frequent but enough that it's noticeable. And uh, oh: I also noticed the guys tossing their cigarette butts onto the road, because you definitely don't want the lingering nicotine stink in that Corvette.
Each Episode Is An Unfolding Mini Mystery
The writers really knew what they were doing with this program; with each new destination that Tod and Buz arrive in, they seem to stumble into a mysterious and often potentially dangerous situation or someone's dysfunctional drama. Some of the moods are even a bit reminiscent of The Twilight Zone. The show really keeps you intrigued to therefore, keeps you watching....that's one of the reasons why I've been coming back for more every night.
Also, I hear there's one episode where poor Tod takes an LSD-like substance and goes tripping on it. Needless to say, I'm looking forward to seeing THAT.
The dialogue at times is quite colorful -- Shakespearean, in fact. Makes me wonder how some of the actors remembered their lines. This was a time when television was still a fairly new frontier, and scriptwriters could feel comfortable staging plays within an hour of TV drama.
The Opening Nelson Riddle Theme Is A Killer Tune
A few years ago I wrote about how very few TV shows have theme songs nowadays, whether it's due to a lack of attention spans or production money. Route 66's opening theme (which has nothing to do with the Bobby Troup composition that Nat King Cole popularized) is, without a doubt, one of the coolest TV themes ever. So much so that I listened to it on Spotify several times this week.
The Show Was Only Nominated For Two Emmys. WTF?
I was flabberghasted to learn that during its four season run, Route 66only earned two Emmy nominations: one for George Maharis and the other for Ethel Waters. Neither won. What, no nominations for the scriptwriters (Stirling Silliphant wrote most of the episodes; kudos to him), the directors, the producers, Milner, or anyone else? Shameful.
Lots of Well-Known Actors Had Roles On the Show
Although I haven't gotten into enough episodes yet to see them show up, everyone from William Shatner to Boris Karloff was on Route 66. Apparently it was a hot series to work on, and who can argue with that?
There May Be a Remake Of the Show -- Although An Earlier One Flopped
Yes, I was disheartened to learn that in December 2014, it was announced that a media company was developing a reboot of Route 66 -- complete "with a faster car." Well, I have zero interest in watching a 21st century, hipster Tod and Buz in some ugly, overdone sports car or SUV using a GPS to get around the U.S. instead of a paper map. You can bet your bottom dollar they'll be sleeping their way across the USA with every slut that comes their way, too!
As the only news I found on this subject came out a year and a half ago, I'm hoping that means this project was abandoned. NBC already tried to revive it in 1993, with Buz's son inheriting the Corvette and picking up a hitchhiker to ride with him. Lame.
There can only be one Route 66, and only two men that can fill the roles of Tod and Buz.
